I’d been meaning to read Bumped for ages, having previously read and enjoyed McCafferty’s excellent Jessica Darling series, to which I was introduced by my sister back when Sloppy Firsts was first out in 2001. Bumped is quite different in premise to that series, which is firmly rooted in the real world and real world events, being set in a near future earth in which a virus means that almost all people become infertile as adults, making teenagers almost the only people who can reproduce. Thus condoms are proscribed, teenage sexuality is encouraged, and young mothers encouraged to (essentially) sell their children to older couples. Melody makes a few references to other cultures such as “the awesomely abundant Chinese”, but otherwise the book focuses on what is happening in the United States. The book’s told from the alternating viewpoints of separated-at-birth identical twins Melody and Harmony, and each has a nicely differentiated voice.
Melody’s adoptive parents are “Wall Streeters turned economics professors”, and have foreseen this commodification of teen pregnancy, with the most genetically advantageous teens commanding pre-birth contracts from would-be adoptive parents; Ash and Ty have thus done what they can to increase Melody’s value on the pregnancy market – good school, tutors, any number of extra-curricular activities. As a result, Melody has signed up for a good contract with the Jaydens which includes college tuition, a car, and a post-partum tummy tuck. Contrasting with this is Harmony, who’s been brought up in a religious commune, Goodside, whose response to the Human Progressive Sterility Virus is to marry off teenagers within the commune, and measure their worth by the children they produce. At the start of the book, Harmony has stunned her twin sister by suddenly turning up – they have never previously met – at the age of sixteen, when Melody’s on the point of being matched with a suitable baby-father.
Gradually the reader becomes aware that Melody’s lack of enthusiasm for the idea of pregnancy stems from an experience with her friend, Malia. Despite the detachment drugs, despite the cultural pressures, Malia wanted to keep her baby, and blamed Melody for failing to support her. It also turns out that Harmony isn’t telling all the truth, either, about why she’s suddenly left the commune to find her sister. It’s not a surprise to find out that there’s a case of mistaken identity, and the furore which results, but McCafferty runs with it very nicely, setting the story up to be continued (in the sequel, Thumped).
There’s a lot of slang and euphemism, as well as tech speak which takes a little while to get into – calling someone “reproaesthetic” for example, rather than beautiful, or referring to sex to get pregnant as “bumping” – but makes sense within the context of the novel.
It’s a satire on teenage sexuality, though maybe not a very obvious one, and Melody is increasingly angry at the way that her fertility and that of her friends has become a commodity to be sold off. It’s this more reasoned distaste for the process which makes her, in my opinion, a more likeable protagonist than Harmony, who has a capacity to delude herself which is quite extraordinary. It’s something of a shock to realise that Melody’s parents have encouraged her fame for monetary gain, too. I also liked Melody’s friendship with Zen, who’s not a suitable partner, despite his high intelligence, due to lack of height (and his mix of Asian-Hispanic genes isn’t acceptable to those couples who want nice white blue-eyed blond babies to adopt), and how this changes with Harmony’s advent into their lives.
McCafferty presents information in a pleasingly non-info dumping kind of way, but puts the reader in the middle of the story, with things from the past coming out in an organic way. The bit where Harmony and Jondoe make their scheduled public appearances, and he’s mobbed by rabid fans is reminiscent of modern-day celebrity, and is genuinely disturbing.
There are some really mixed reviews on Amazon, so this may not be your cup of tea. However, I really enjoyed this, though with the reservation that the ending is not entirely resolved, and really does require the sequel.